Vermeer

 

 1. Some of the challenges i encountered were with lighting and figuring exactly which spots made the best ones for portraits to emphasize the face expressions. Some spots were just too bright while others hid the face rather than making it the main focal point. Apart from this, shadows were another area which negatively affected the outcome of my photos. For example, in some instances the trees would cast a shadow on either Jose or Nick- covering half of their faces. It all related back to finding a good spot to photograph the portraits.

2. There were also many challenges to being a model besides apart from being the photographer. For instance, as the model, it was important to give the expressions that the photographer wanted to portray in their pictures - even though at times, this was not always clear. In addition, being the model meant having to be versatile and make a good focal point when out in front of the camera. This was not always the easiest thing to do because the model is constantly being told to go somewhere else or turn a certain way and it is their job to listen.

3. Being a good model consists of being flexible in emotion and not too stubborn or shy in front of the camera. The model must know which role to play in which different types of situations. No matter how uncomfortable you might feel, it is their job not to portray that in the image. The model reflects the photographer's work, so they have pressure on their shoulder to add an amazing element to the central image. In contrast, as the photographer, you must know what makes up a good picture and what makes up a not-so-good image as well. They must try and try again until they have found the direction in which they want their images to flow. They must know how to capture everything precisely and in the better light so that the model is not lost or discontent with the image. The model exhibits an immensely important role, but the photographer has most likely the bigger one to play.